They may have been gone a long time but make no mistake: Aeon are back, and God Ends Here will lay waste to all. With dramatic artwork by Italian artist Paolo Girardi the final piece of the puzzle, the finished package extends Aeon‘s legacy and gives the genre the push that was intended from the outset. Expanding the sonic palette are strings and choirs, the orchestral elements primarily programmed by Nilsson with Dlimi handling those on “Mephistopheles”, while Nilsson wrote the choir parts. Producer Ronnie Björnström, who presided over Aeons Black, once again oversaw proceedings, making sure everything sounded as big as possible. Guitarist Daniel Dlimi, who departed the Aeon fold in 2013, also returned to the band’s ranks in 2019, which inspired guitarist Zeb Nilsson to write, having really missed collaborating with him.ĭrums were recorded in Jaloma’s own Studio Starköl, guitars and bass in the band’s own Rise to Dominate Studio, and the vocals were recorded at Metallfabriken Studio, where some guitar re-amping was also done. Death metal is an extreme subgenre of heavy metal music.
Making his recording debut with the band is also bassist Tony Östman, who joined in 2013, during the touring cycle for Aeons Black. The main reason for the gap between records lies in finding the right drummer, having had a few pass through their ranks in the interim, Dark Funeral/Imperium drummer Janne Jaloma now manning the kit. A darker, even more epic collection, it is everything an Aeon fan could want with a few surprises in store, pushing the genre in new directions, and once again asserting that they are one of the most important bands in extreme metal. In 2021, Sweden’s Aeon finally return with its successor, God Ends Here, and in doing so only up the ante with a record that is bigger, harder and stronger in every way. Swedish melodic deathmetal with influences Swedish melodic deathmetal with influences. With 2012′s Aeons Black standing as one of the defining death metal albums of the twenty-first century, it has been a long wait for the follow up. My name is Sebastian and I play in the swedish band called Stygian Ascent We have recently released our first Demo and it would be awsome if you would like to Check it out and tell us what you think about it. gold w/ black splatter vinyl (US exclusive) gold / black melt vinyl (EU exclusive – limited to 200 copies) orange w/ red splatter vinyl (EU exclusive – limited to 200 copies) gold vinyl (EU exclusive – limited to 300 copies)
Watch the video for God Ends Here at: /aeon – where God Ends Here can be pre-ordered in the following formats: Join fans for the YouTube premiere of God Ends Here at 2:00pm ET / 11:00am PT / 8:00pm CEST at: youtu.be/eWBMxlgRVSo In 2021, Aeon finally returns with its successor, God Ends Here, and in doing so only up the ante with a record that is more decimating in every way. With 2012′s Aeons Black standing as one of the defining death metal albums of the twenty-first century it has been a long wait for the follow-up.
The album premiere comes on the eve of the record’s official release, this Friday October 15th via Metal Blade Records. God Ends Here, the new full-length from Swedish death metal veterans Aeon, will be streaming in its entirety later today. Record To See Release This Friday October 15th Via Metal Blade Aeon: Swedish Death Metal Veterans Premiere “God Ends Here” Full-Length
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